Tag Archives: writing

100 Words, 100 Days: Day 56. On The Great Famine.

'Skibbereen 1847' by Cork artist James Mahoney

Last night a friend and I had the pleasure of listening to three Irish writers read from novels they had written that were inspired by a period of history known as the Great Famine (1845-1852). The setting was the Jeanie Johnston, a Famine Ship that took emigrants from Ireland to America and Canada. It was renowned for never losing any of its passengers on the many journeys it made across the Atlantic.

I was humbled by my experience because 1) I love being in the company of other writers and 2) I still know very little about my country’s history. More on this soon.

 

Write Here, Write Now: A Picture For You

I needed this today. Maybe I need this every day.

Image is courtesy of The Sounding Furrows

100 Words, 100 Days: Day 49. On Montaigne.

Michel de Montaigne (1533 – 1592) was a French philosopher – but don’t hold that against him. He lived through turbulent times and survived long enough to gift the world his Essays. Rather than writing material so dry it made the Sahara seem like Hawaii, his engaging personality and writing style endeared him to readers past and present.

He asks us to look at the world through another’s eye. He got this idea from his cat. He wondered, “When I am playing with my cat, how do I know she is not playing with me?”

Once again, maybe cats know more than we do.

 

 

 

100 Words, 100 Days: Day 47. On Time.

It waits for no man. It flies. We waste it, yet we both spend and serve it. We lose it and spend it while catching up with it. We mark it as it is of the essence.

We break it down into bite-sized pieces because it’s more manageable that way. Days, hours, minutes and seconds are less scary than weeks, months, years and decades.

It has been around since before we were, and it will continue long after we’re gone. We’ve written songs, books, poetry and essays about it. We take it so we can think about how we can best make use of it.

 

100 Words, 100 Days: Day 45. On Change.

Most of us have a pocket or purse full of loose change, yet we’ll pay for something small, like a bottle of Coke, with a twenty or larger. In this respect, we like change. We like how it rattles and chings in our pocket.

Most of us call for change, whether it’s of government policies or government itself. We demand change in our living circumstances.

But when change affects us directly, we don’t like it. We are averse to having less change that rattles and chings in our pockets and purses.

How does change affect your life? Or does it?

The Case of The Porterhouse Queen

The following is a story I wrote on WEbook.com a couple of years ago. It’s a Sherlock Holmes pastiche, fan-fiction if you would. It’s not very accurate in a historic sense, so take its claims with a pinch of salt. Just read and (hopefully) enjoy. Thank you.

 

“I think we’ve been rumbled, Holmes,” I said, casting a quick glance at my companion. We’d been sitting in the Stag’s Head near the south bank of the Liffey, the river that runs through Dublin, the principal city of the Irish Free State, for nearly seven hours. Holmes was nursing a brandy and port. I was drinking a Gold Label.

“Never fear, Watson. I daresay our stipend will cover another round. Would you do the honors?” Holmes did not look at me while he talked. Instead he was carefully examining a large oil painting that hung on the wall behind the serving counter. It was, I estimated, seven feet in length across and four feet down. It had been hung dead centre and was the only decoration the proprietor had deemed suitable for his premises. The rest of the public house was bereft of any such embellishment, save for the obvious and necessary gas-lighting.

“If I must. Are you staying with the brandy? I have to admit I’m not really taken with Irish whiskey and I don’t feel too comfortable asking for scotch.”

“Nonsense, Watson. The Irish and Scottish are linked in history. They are but one people divided by a sea. I would assume our good host would stock a fine range of malted, if you would but ask. In fact, ask for two Glenfiddich. That should brighten up his day.”

I went up to the counter. The proprietor was busy polishing a tray of stemmed champagne flutes. He was making quite a fuss of it too. I caught his eye and ordered for myself and Holmes. Indeed he did stock the bottle my friend had suggested and poured two generous measures. I paid the man and was on my way back to our table when he called me back.

“Your friend,” he said. “He seems very curious about my painting. He hasn’t taken his eyes off it since the two of you came in.” The proprietor, who was a stocky man in his mid-fifties, spoke with a Dublin brogue that was very rarely heard in London. His shaven head reflected the gas-light above him. “Is he a buyer or a seller?”

“Neither, I should imagine. He knows what he likes. He has a painting almost like that back home in his flat.”

“In London?”

“Yes. My accent gives it away.”

“Not just your accent, sir. I’ve been expecting you, Dr. Watson. Your good self and the gentleman with you, the famous detective Sherlock Holmes. I must say it’s quite an honor having you both in my establishment.”

I was stunned speechless, but managed to squeeze out a muted thanks.

“What’s wrong, Watson?” Holmes asked when I returned with our drinks. “You look like someone told you the Baskerville hound was outside waiting for us.”

“Holmes, this is no time for your attempt at humor. I told you we’d been rumbled. Our host has been expecting us. Why is that? And why is it that you don’t look in the least bit concerned?”

“Sit down, Watson, there’s a good chap. We’re in no immediate danger here. We’re on a mission for His Majest’y's Government.”

I was perplexed to say the least. Holmes had once again neglected to tell me the full nature of our visit to Dublin. I was disappointed with my close friend’s behavour. I really didn’t think he was the same man when he came back from near death at the Reichenback Falls. Moriarty had perished that fateful day while trying to murder Holmes, and a part of me believed that Holmes was actually missing his insane nemesis.

“Do you care to explain more?” I asked. “He knows who we are. He even referred to you as the ‘famous detective’.”

“My brother Mycroft believes there is something hidden somewhere in that painting. Something of national importance to both British and Irish govenments. I can’t tell you as yet.”

“Holmes, I thought you had retired from all that. I haven’t written of your adventures for over ten years now. Your loyal followers are convinced you’ve died again. Even the Baker Street Irregulars have grown up and gone into banking.”

“A reference from Sherlock Holmes is worth its weight in gold, Watson. Children have to be allowed to leave and pursue careers. I’ve been following Lestrade’s progress. He’s still a pompous ass, but he’s made considerable progress up the ladder in Scotland Yard. He’s an Assistant Chief Constable now. What are you smiling at?”

“Lestrade being a pompous ass. I wonder sometimes from whom he learned that particular trait. It most certainly wasn’t from me.”

“Careful, Watson. I may just leave you here in this den of iniquity.”

At this point a group of travelers came through the door. There were ten of them. They congregated at the serving counter. The landlord busied himself serving them porter from a barrel he kept out of sight. It was jet black with a thin head of creamy foam. All ten had the same in large tankards. I turned my attention back to Holmes.

“I won’t have you keep me in the dark. Why is that painting so damn important? It’s just a steamer.”

“Not just any old steamer, Watson. It’s ‘The Porterhouse Queen’. It was being built in Belfast around the same time as the ‘RMS Titanic’. It made only one journey, but fortunately didn’t meet with the same fate as her more illustrious elder sister. She lies idle in Southampton however. Her owners can’t find anyone to take her out again.”

“The ‘Titanic’ sunk 25 years ago, Holmes. I’m still not seeing any connection.”

“The two ships are not why we’re here, Watson.”

“Come on Holmes. Out with it.” I was starting to lose patience with my companion.

“Do you see our fellow travelers?” he said, meaning the group that had just come in. They were enjoying a lively discussion and I noticed that one particular gentleman was paying close attention to Holmes and myself. He was quite tall, over six foot, thin but athletic. He wore a small pair of round spectacles, resting at the top of a nose that could only be described as Roman. Caesar would have been proud of it.

“Have a look at the tray with the champagne flutes, Watson. How many glasses do you see?”

I counted them from where I was sitting. “A dozen,” I said.

“There are ten of them, are there not?”

I thought for a moment. “And two of us.”

“Correct, Watson. That’s the first piece of the puzzle.”

“What’s the next?”

“The gentleman looking over at us is the next piece. His name is Eamon de Valera.”

“De Valera? Isn’t he………?”

“The President of the Irish Free State? Yes, he is. He is also the man we have come to see. The man Mycroft wants to do business with. He owns the painting. The landlord is minding it for him.”

Holmes raised his hand to de Valera. The President lifted his glass of porter in salute to Holmes and myself. He turned around to his own companions, spoke with them for a bit and then beckoned us over to join him.

Holmes was first to greet him. “Mr. de Valera, it is an honor for me to represent my King and government on this historic day.”

“Mr. Holmes, Dr. Watson, the pleasure is all mine. You’ve been a bit quiet of late. Have you retired?”

“For all intents and purposes, yes. Occasionally I take up smaller cases to alleviate the boredom I sometimes feel. Isn’t that correct, Watson?”

“Yes, but you never take me along on these so-called ‘smaller cases’.”

“Inconsequential matters, Watson. Today, though, is a different matter. I’m sure the President would agree.”

“Mr. Holmes,” said de Valera, ‘your brother gave me some assurances that this matter would be dealt with today. Am I correct in that assumption?”

“I would need to closely examine the painting to be sure. But if all is in order, the agreement stands.”

“What agreement, Holmes?” I was completely at a loss to explain to myself what was going on.

“All in good time, Watson. Landlord, if you could help me with the painting please.” Holmes and the landlord stood on either side of the painting and removed it carefully from its position. They laid it face down on the cobbled floor. Holmes took a swiss army knife from his coat pocket and, in small deliberate motions, removed the painting from its frame.

When that job was completed, de Valera crouched down beside Holmes. “Take away the backing board. You’ll find what you require beneath it.” This Holmes did.

Underneath were four sheets of paper, slightly yellowing in colour. There was writing on them, as well as diagrams and maps. Holmes put on a pair of black leather gloves that he had retrieved from another of his pockets. He gently lifted up one of the sheets.

“These are written in German, Watson. On them are plans for the invasion of Europe. Hitler intends to take control over Poland, the Netherlands, France and, finally, Great Britain. Can you vouch for their authenticity, Mr de Valera?”

The Irish President smiled. “I’ve had my spies in Germany since we became a state. We worked closely with your government, but had to keep it quiet. As you’d imagine, there is still a lot of hostility between our two countries. There would have been uproar in parliament if word got out. My IRA lads were thorough. The plans are real. Your brother will prove that.”

“I’ve no doubt he will. His office has been keeping a very watchful eye over Hitler and his Nazi party. He thinks, and knows, that a war is coming. Churchill believes him. Chamberlain doesn’t.”

“Chamberlain is a fool,” de Valera said with added malice. “He thinks he can shake hands with that dictator and everything will go away.”

“The Prime Minister is misguided. Churchill will take his place if and when war comes.”

“It’ll come. I can bet my country’s independence on it.”

Holmes folded the sheets of paper and tucked them safely into an inside pocket. “There’s a boat waiting for us at Dun Laoighre harbour. I trust you can provide transport?”

“Already arranged, but first……”

“Ah yes, there is something else. One last thing.”

Holmes had many pockets in his coat. From another one he produced an envelope. With surprise I noted the Royal Seal. King George had written whatever was inside. I had remained silent throughout, but now I couldn’t contain myself.

“Holmes, what in God’s name is going on here?”

It was de Valera who answered.

“My spies found plans that Hitler plans to invade Europe and launch an attack from France onto mainland Britain. My government and yours, without the knowledge of Prime Minister Chamberlain, came to an agreement. We would hand over the plans and, in return, would be allowed to remain neutral should war break out.

“We are a new state, recovering from our own civil war. We can barely afford to be involved in another, more far-reaching one. Your king agreed, in principle, providing the plans were genuine. I believe they are. This letter, which Mr. Holmes holds in his hand, is as important to this country as the Proclamation of Independence was twenty one years ago.

“We will help out if we can, but we won’t be forced into doing so. That goes for both sides. Hitler’s Germany won’t be welcomed here either.”

Holmes passed the letter over to de Valera. The Irishman broke the seal and read its contents. When he was finished he nodded. “This calls for champagne. Harry, I really hope you remembered to chill the Dom Perignon.”

“It would be more than my life’s worth if I didn’t, Eamon.”

De Valera smiled. “Harry and I go back a long time. If anyone else were to call me Eamon, I’d do them an injury. Come gentlemen, join my friends and I for a toast to our sucess.”

We were handed our glasses. We raised them in salute to God, King, Ireland, Great Britain and, above all, peace in our time.

100 Words, 100 Days: Day 43. On Necessities.

For humans (and most animals), the bare necessities of life are food, water, shelter, companionship and the odd bout of rumpy-pumpy. Political and religious ideals are mere distractions from the endeavours of survival. They’re good to have and can make excellent conversation starters at the dinner table. But if one is severely lacking in the fundamental needs of humankind, then all the zeal in the world isn’t going to save you from hunger, thirst, homelessness, loneliness and a long dry spell. An efficient and speedy broadband network provider is, in my opinion, up there with a cool glass of water.

100 Words, 100 Days: Day 42. On Frenzy.

The writer Dorothy Parker is famous for saying, “I hate writing, I love having written.” Last night I knew exactly how she felt. After scrubbing pretty much everything I wrote for Mandy Ward’s Welcome to Wherever website, I started a new story from scratch.

Working to a deadline is not my strong suit but at a frenzied pace, I wrote a 2,200 word short story in less than two hours. It was hard work, but damn if I didn’t feel an extraordinary sense of achievement once it was done. It may not be my best work (what is?) but it feels good.

100 Words, 100 Days: Day 41. On Expectations, Great or Otherwise.

The Great Mr Dickens

If I’ve learned anything over the last few years, it’s to not expect anything from the people around me. I don’t mean this to sound callous. It’s a fact of life for me. Nothing in this world is guaranteed, except our inevitable death and some form of taxation.

As a writer I expect to write. I don’t expect others to read what I write, nor do I expect other writers to write what I want to read. I feel that if I can at least match my own expectations, then I’m on the right (write?) road.

Here’s another Great Expectations:

Write Here, Write Now: The Importance of Imagination.

It’s not enough to say you’re a writer; you must have something to show for it, some kind of proof. Whether they’re lines from a poem you wrote when you were four, or outlines for the next Great Irish/American/British Novel, a writer, fledgling or otherwise, will have something written down. Somewhere.

I was tidying out my bedroom the other week when I came across a hand-written manuscript dating back at least ten years. Three things surprised me. First, my handwriting is terrible. I can read the parts where I wrote when I was sober. I can’t read the parts where there was drink taken. You see, I wrote most of it in my local pub. I sat at the counter and drank while writing the book that would make my fortune. I was the source of much amusement to other customers, as well as the owner of the establishment.

The second thing that surprised me is the way the story made sense, in a surreal nonsensical kind of way. Each paragraph, each chapter contained scenes and dialogue that to this day fills me with a certain amount of pride. It had Beatles lyrics sprinkled about the place; it had spectral observers; it had angst and unrequited love – all in 27 drunken pages. Stephen King had nothing on me.

The third thing that surprised me is that I wanted to know where the writer was going with his story. Namely, where did I want to go with it? Was there an endgame? Would the story be worth pursuing? Was it important enough to me to continue?

And that, for me, is the crux of matter. When I was young, I read comic books – as I’m sure most of us did to some degree – but I would copy the story into a notebook, using the pictures and speech bubbles as prompts. I “wrote” Judge Dredd and Strontium Dog stories from 2000AD. I used Captain Kirk and Mr Spock as templates for new adventures set in other universes. In other words, I used my imagination. It was important for me then, and I guess it’s important for me now.

I don’t drink any more, but I now work in the pub where I started my then magnum opus. I may go back to it one day…when I have the nerve to do so.