I picked a bad time to read a series of books about a Europe ravaged by the after-effects of a global pandemic, a refugee crisis, terrorism, and the break-up of the EU itself. But here we are. Dave Hitchinson’s Fractured Europe sequence is the ultimate in literary What If? for our time. Allow me to take you through this quartet, and introduce you to Rudi.
An Estonian, working in a restaurant in Krakow, Rudi’s exceptional talents keep him gainfully employed in an economy that’s pretty much gone to hell. One evening at the restaurant, Rudi is approached by a representative of an underground organisation called the Couriers des Bois. His nationality could be of use to them, and they need someone to move a package across the many borders across the continent. Europe has become so segmented over the years that practically any entity, be it a statelet or national park, can declare independence and have its own border control process.
In Europe in Autumn, Rudi goes from being a cook to a spy. It’s impossible to swat away John le Carre vibes here. Rudi has to learn as he goes, and although he has support from the organisation, he’s very much on his own for much of the novel. His instructor/mentor is MIA, presumed traitorous. And his friends and family become targets of whomever is behind the “Great Conspiracy”. And oh, what a conspiracy it is!
Sometime in the 19th century, a family of English cartographers, map-makers, brought into existence a parallel Europe, and somehow this Europe, populated in the main by English people, and accessible from very few places in our Europe. Yes, it’s a head-scratcher. Dave Hutchinson moves from near-future spy fiction to the realm of fantasy. And it works, because throughout the book, we see everything through Rudi’s eyes. We’re as flummoxed as he is, but there’s a job to do and people to protect, so like James Bond and George Smiley, we want to get to the bottom of this mess.
Europe at Midnight takes us to the Campus, a university nation-state that’s both within and without the Community, the parallel Europe. It’s also the site where the flu virus was manufactured, and there’s also a nucleur weapon. Rudi has very little to do in this instalment, instead we follow Jim, who works for British intelligence. A stabbing on a London bus begins the intrigue, and in a story where the chronology of events has to be worked out by the reader, it’s a captivating puzzle that when worlds finally collide, some questions are answered, but inevitably many more take their place.
Europe in Winter sees the return of Rudi. It opens with the suicide bombing of an important railway tunnel operated by the Line, a network that crosses continental Europe and is a nation state itself. Think Amtrak, but you need a passport and travel documents to board. Awareness of the Community is widespread, and diplomatic relationships are struck up between the different European universes. Characters from previous books make an appearance, and the action includes assassinations, perilous travels between worlds, and a revision of history as we know it. There’s a wonderful sequence of events at the end involving an airport that I will not spoil here. You will have to read it for yourself.
In the last (presumably, but with Dave Hitchinson you never know) of the sequence, Europe at Dawn, there is a resolution of sorts for the disparate storylines, but also gives space to introduce new and important characters. There is murder, mayhem, chases, and escapes. There is a sublime subplot about a bejewelled skull in the possession of a travelling folk group that by the end of the book, it all makes some sort of sense. But not everything gets resolved; there’s no “and they all lived happily ever after”. But I remain very much okay with that.
The above summaries do little justice to the themes and events that run throughout Fractured Europe. I need to point out that at times, the books are very funny. There’s an almost Terry Pratchett feel to them. Dave Hutchinson’s attention to detail and knowledge of world and European history permeates each page and character. The new future world of which he writes is grey and mundane, but the story is rich in atmosphere. If John le Carre were to write speculative fiction as a spy story, he could not do a better job than Dave Hutchinson. He is a writer for and of our times.