All through last spring and into early summer, I read books two to eight of James S.A. Corey’s epic space opera series The Expanse, one after the other. Once I reached the end of book eight I knew I had a long wait ahead of me before the series was concluded. Now we have a date: Leviathan Falls will be published on November 16, 2021. I for one cannot wait. Until then, though, I was on the look out for something similar to read. I love edgy science-fiction. By this I mean, I like my futuristic universe to be both realistic and gritty. Just because humanity can reach for the starts, it doesn’t mean that the future would look glorious and hopeful. If we know anything about being human it’s that wherever we go, we bring our mess with us: we leave very little behind. Science fiction, if it’s written and presented well, can give us very perceptive insights into what it means to be human. We look to the stars and see a bright future ahead of us, and then we let our collective egos get in our way. The Year Before The End, by Norwegian writer and techie Vidar Hokstad, is a great example of what I’m talking about.
First contact has been made, and visitors from the nearby Alpha Centauri system are eager to being trading with our solar system. But they won’t be able to travel to us unless we build a gate that will allow two-way traffic between the two systems. Plans are in place and much building has been done, to such an extent that when the book begins we’re a year away from the project’s completion–The End of the title. But not everyone is pleased with meeting and greeting our new extraterrestrial trading partners. Member of Sovereign Earth, an alliance against any form of non-human pacts, are planning system-wide acts of sabotage, pitting Earth against Mars especially.
In the midst of all this we meet Captain Zara Ortega and the crew of the freighter Black Rain. Zo, as she is called in the book, is hired by a shady individual to raid a space station called Vanguard and rob from its vault information that will prove to everyone that the Centauris are in league with Mars separatists and plan to carve up the solar system between them, leaving Earth very much in the lurch and out of the picture. Of course no reasonable person would want this kind of action to take place, so Zo, in return for a big payday, agrees to take the job on. And that’s where the problems begin, because we’re left wondering who, if anyone, is telling the truth.
Those of us who have seen Rogue One will be familiar with the premise of a ragtag group of people attempting to achieve the impossible. Getting into the place is an issue in and of itself, but retrieving the information and getting out alive is quite another. When there’s a surprise attack on the station by persons unknown, Zo and her crew end up fighting battles on all sides. Plus there may be a traitor among the crew. The action flits from one set-piece to another, literally jumping between asteroid belts and space stations, with a very intriguing series villain introduced on a station called Nautilus. Mayhem ensues, and death and destruction around every corner.
Vidar Hokstad knows what he’s talking about when it comes to world-building, concepts, and technology. He starts his series well, and while his supporting characters could use a bit more fleshing out, my favourite has to be Clarice with her augmented eyes and introspective personality. Hokstad peppers his series debut with a lot of technological details that does at times slow the story down unnecessarily. But I found the same thing happened with the first book in The Expanse series, Leviathan Wakes, and look how that series turned out. Vidar Hokstad is on to something here, and if he can iron out some of these issues for the next book in the series, Galaxy Bound, then I think he has a winner. I’m looking forward to seeing where this one goes.